Quemadura is an intuitive project, born out of chance, coincidence, experimentation and nourished by the contradiction of existence and the relationship it has with photography itself. It is a project that mutates with the passage of time, just like its concept and that goes back to and coexists with cyanotype to present the photographs themselves from another prism that acquires a more artistic and sculptural value and that coexists with the digital. Why is light the creator and destroyer of photography? Why does the same thing happen with life, why is photography inevitably related to existence? These questions leave me no choice but to think about the unattractable and appreciated passage of time, which drags and deteriorates everything in its path. Overexposure invades and destroys parts of the image, giving us that new possibility of circular creation, of creation and destruction, of contradiction. Light and darkness, the non-permanence, the mutability of space and environment. White, light, the passage of time acquire an important symbolic representation. This project begins in Madrid (Spain) and expands to Oporto (Portugal) creating this link between photography and the essence of existence chained to the passage of time.